Thorogood Safety Shoes
The Ultimate Blues Collection is a compilation for the most advanced or most neophytes in the field. The former was a very interesting review and the latter with a crash course in this genre. Teachers and students are the musicians of this collection that takes us from its germ in the Mississippi Delta, the most basic call and response with the accompaniment to the voice of acoustic guitar, harmonica or the ringing of their shoes, their subsequent expansion. Expansion is produced by fluorine migration to industrial cities like Chicago (Elmore James, Muddy Waters and Howlin 'Wolf), Detroit (John Lee Hooker), Memphis (BB King), Texas (Lightnin' Hopkins, T-Bone Walker and Big Mama Thornton) and The West Coast (Lloyd Glenn), with its different variants, where they decide to change the electric acoustic guitar. These musicians to be heard before the shouting and commotion of the clubs, in which he acted, had to resort to electricity and the high volume, giving rise to the electric guitar, bass and drums and wind instruments, keeping the harmonica. The Blues crossed the Atlantic and in Britain where it is absorbed by young musicians whites, blues lovers, making it more electric if possible, modernizing it. Alexis Korner, Chris Farlowe, Long John Baldry and John Mayall's Bluesbreakers are precursors to which you add up Fleetwood Mac, Savoy Brown, Chicken Chack, Eric Clapton, Rory Gallagher or the very Hendrix at that time was a "British" over a long list. This move resulted in what is called British Blues, taking way back to the USA, where it is accepted and blessed by their teachers and that also is added a host of black and white musicians, befriending and reached its peak in bands or soloists such as Johnny Winter, The Allman Brothers, Taj Mahal, George Thorogood, Robert Cray, The Butterfield Blues Band, Bonnie Rait and Janis Joplin. This blog does not contain any audio file. The links are to different stores files where I keep backups of my music. Under Spanish law, which I adhere, every citizen has the right to make such backup copies of original material with. . . .
